Sugaray Rayford Releases Explosive New Single
Texas-born singer/songwriter Sugaray Rayford (né Caron Nimoy “Sugaray” Rayford) embodies soul music. Physically, at a towering height of six feet and five inches, Rayford’s voice emerges with a depth that few can replicate. Spiritually, Rayford’s lyrics lean into his gospel and blues influences while embracing today’s sentiments.
Sam Morrow Releases Video for “Money Ain’t A Thing”
“A ballsy everyman ethos that’s the mirror image of Skynyrd’s ‘Workin’ For MCA’” (Farce the Music)
John Mayall Pairs With Buddy Miller With Cover “I’m As Good As Gone”
On his latest single, a buoyant cover of Grammy winner Bobby Rush’s classic cut “I’m As Good as Gone,” the Godfather of British Blues collaborates with American legend Buddy Miller on lead baritone guitar with Mayall mixing it up on Hammond B3 organ.
Rolling Stone Review of Sam Morrow “Gettin’ by on Gettin’ Down”
Morrow eschews many of those obvious classic-country references on his new album Gettin’ By on Gettin’ Down, leaning harder on his deep funk and classic-rock influences. The result is a sinewy, head-nodding listen that attempts to put a pin in some of the outlaw chatter but one that still demands to be played loud at parties.
VIDEO PREMIERE: The Claudettes Pay Haunting Tribute to a Legendary Comedian with “Different Drugs (Song for Bill Hicks)”
The Claudettes fuse Chicago piano blues with the full-throttle energy of rockabilly and punk and the sultriness of ’60s soul to write a thrilling new chapter in American roots music.
Soul Blues' Sugaray Rayford Delivers a "Homemade Disaster" (premiere + Q&A)
Sugaray Rayford delivers his latest single, "Homemade Disaster" on 7 August. The song finds the Arizona-based vocalist in fine form. His Muddy Waters-crossed with-Otis Redding singing approach is front and center on a track that will appeal to fans of Gary Clark Jr. and Chicano Batman.
Rolling Stone: Sam Morrow Previews New Album With Strutting ‘Rosarita’
Sam Morrow doubles down on the muscular country-funk of his 2018 album Concrete and Mud with “Rosarita,” the first release from the California performer’s upcoming LP. Titled Gettin’ By on Gettin’ Down, the project is due October 30th via Forty Below Records.
John Mayall Performs for Peter Green Tribute
February 25th London, John Mayall participated in a concert for the ages - A celebration of former Bluesbreaker/Fleetwood Mac founder Peter Green. Hosted by Mick Fleetwood and including members of The Rolling Stones, Pink Floyd, The Who, Oasis, ZZ Top, Metallica, Crowded House and many, many more. A truly be epic evening!
The Claudettes Shut It Down In 'Declined' Video: Premiere
The Claudettes' new track "Declined," whose video is premiering exclusively below, could be an anthem for the #MeToo era. But keyboardist Johnny Iguana says the song, from the quartet's upcoming High Times in the Dark album, actually preceded the movement.
The Claudettes Sign to Forty Below Records
Punk-blues piano, garage-soul guitars and booming drums still leave plenty of space for Berit Ulseth’s gorgeous vocals as Grammy-winning producer Ted Hutt creates an inviting wall of sound on the band’s most compelling album yet.
Forty Below President Eric Corne Earns Blues Music Award Nomination
TOP NOMINEES RICK ESTRIN & THE NIGHTCATS, CHRISTONE “KINGFISH” INGRAM, BILLY BRANCH, SUGARAY RAYFORD, AND THE CASH BOX KINGS HOPE TO REIGN AT THE 41st ANNUAL BLUES MUSIC AWARDS The winners will be revealed at The Blues Foundation-hosted gala ceremonyin Memphis, TN on May 7, 2020
Sugaray Rayford Earns Grammy Nomination For Best Contemporary Blues Album
Sugaray Rayford, a rising star in the international Blues community, has been nominated for a Grammy Award for his critically acclaimed album, Somebody Save Me, which was released this past March on Forty Below Records.
The HawtThorns Release Debut Effort On Forty Below Records
An Americana band whose sun-kissed songwriting, fiery electric guitar, and lush vocal harmonies evoke the California coastline as much as the Bible Belt countryside, the HawtThorns are rooted in the collaborative chemistry of husband-and-wife duo KP and Johnny Hawthorn.
Rolling Stone: 10 Best Country, Americana Songs to Hear Now
Already a leading light in L.A.’s independent country scene, the HawtThorns swing for the heartland country-rock fences with “Shaking,” whose brightly-strummed guitars and sunny harmonies channel the warmth of the band’s west coast home. If KP Hawthorn’s voice sounds familiar, that’s likely because the frontwoman recently logged several years with Calico, whose roster of twang-loving power women also included…
UNCUT Premieres John Mayall’s New Track Featuring Todd Rundgren
Veteran blues guitarist John Mayall will release a new album called Nobody Told Me through Forty Below Records on February 22.
Hear the latest track from it, a version of Little Milton’s “That’s What Love Will Make You Do” featuring Todd Rundgren, below:
“When I was 18, one of the greatest influences in my musical life was John Mayall’s Bluebreakers,” says Rundgren. “Some 50 years later, it is one of the most memorable experiences I’ve ever had as a guitarist – to be a Bluesbreaker, if only for a moment.”
Abumism Premieres New Sugaray Rayford Song "You and I"
WORLD PREMIERE: Sugaray Rayford Unveils New Single ‘You and I’ Photo: Suzan Jones
With just a few weeks remaining until the arrival of Sugaray Rayford’s new album Somebody Save Me, the Texas-born bluesman has shared the project’s latest Stax-indebted stormer of a third single, “You and I.” Though imbued with throwback echoes of soul music’s past, the buoyant track coupled with Rayford’s impassioned vocals coalesce for a sound that’s undeniably fresh and inspired.
PopMatters Premieres The Revelator by Sugaray Rayford
"The Revelator" is the lead cut from Somebody Save Me, the new release from Texas-born soul/blues singer Sugarray Rayford out March 1 on Forty Below Records.
Drawing inspiration from the likes of Otis Redding, Teddy Pendergrass, and Muddy Waters, Rayford remains very much his own artist. The song marries the funky soulfulness of classic R&B records while acknowledging contemporary